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When I entered a tiny pharmacy 11 miles outside Jackson, Miss., in 2009, the pharmacist, Raymond Bauer, was distraught. Patients were coming “out of the woodwork” to fill opioid prescriptions written in other states. Mr. Bauer feared he was caught i
In February 2022, a few days after Russia invaded Ukraine, I sent my partner a panicked text: “Maybe we should get married.” He thought I was joking. For years I had told him I wasn’t sure I ever wanted to get married, despite him having made clear
Last week was not a good one for New York’s sense of public safety. That Monday a man with two knives roamed across Manhattan and is now accused of killing three strangers — Angel Gustavo Lata Landislots777, Chang Wang and Wilma Augustin — in separa
Five years after a devastating fire gutted Notre-Dame Cathedral in Parispaypal casino sites, the medieval church will reopen this week with processions of hundreds of bishops, priests and deacons in new liturgical garb by the French designer Jean-Ch
Over the summerreal casino slots, when Duncan McCabe would tell his co-workers at his Toronto-area software company that he was heading out for a run, they would ask him whether he was training for a race. “No,” he would tell them, “I have to go wor
What’s the difference between an actor and a movie star? Both are giving a performance. But for the latter, the performing never ends. To be a movie star of Robert Pattinson’s caliber means understanding that a walk down the street is itself a serie
Garrett Hedlund knows the allure of chaos — both onscreen in the television series “Tulsa King” as Mitch, a former bull rider and recovered addict, and offscreen as a restless Minnesotan who made his way to Hollywood and into movies like “Troy,” “Tr
The scene is surprisingly ordinary. A dancer is speaking in a pleasant office at an opera house in a European city as sounds of a performance stream in from the stage. A window opens onto trees whose leaves rustle in a slight breeze. It could be Zur
It landed like a bomb. “Discussing the Undiscussable,” a 1994 New Yorker essay by the dance critic Arlene Croce, started off with a sentence that blew the minds of many: “I have not seen Bill T. Jones’s ‘Still/Here’ and have no plans to review it.”
There’s a clip of Nikki Giovanni and James Baldwin that keeps popping up on TikTok. The year was 1971. It was a little more than three years after the assassination of Martin Luther King Jr. Richard M. Nixon was president and nowhere close to resign
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